Dracula is a novel by Bram Stoker, published in 1897. As an epistolary novel, the narrative is related through letters, diary entries, and newspaper articles. It has no single protagonist, but opens with solicitor Jonathan Harker taking a business trip to stay at the castle of a Transylvanian noble, Count Dracula. Harker escapes the castle after discovering that Dracula is a vampire, and the Count moves to England and plagues the seaside town of Whitby. A small group, led by Abraham Van Helsing, hunt Dracula and, in the end, kill him.
Dracula was mostly written in the 1890s. Stoker produced over a hundred pages of notes for the novel, drawing extensively from Transylvanian folklore and history. Some scholars have suggested that the character of Dracula was inspired by historical figures like the Wallachian prince Vlad the Impaler or the countess Elizabeth Báthory, but there is widespread disagreement. Stoker's notes mention …
Dracula is a novel by Bram Stoker, published in 1897. As an epistolary novel, the narrative is related through letters, diary entries, and newspaper articles. It has no single protagonist, but opens with solicitor Jonathan Harker taking a business trip to stay at the castle of a Transylvanian noble, Count Dracula. Harker escapes the castle after discovering that Dracula is a vampire, and the Count moves to England and plagues the seaside town of Whitby. A small group, led by Abraham Van Helsing, hunt Dracula and, in the end, kill him.
Dracula was mostly written in the 1890s. Stoker produced over a hundred pages of notes for the novel, drawing extensively from Transylvanian folklore and history. Some scholars have suggested that the character of Dracula was inspired by historical figures like the Wallachian prince Vlad the Impaler or the countess Elizabeth Báthory, but there is widespread disagreement. Stoker's notes mention neither figure. He found the name Dracula in Whitby's public library while holidaying there, picking it because he thought it meant devil in Romanian.
Following its publication, Dracula was positively received by reviewers who pointed to its effective use of horror. In contrast, reviewers who wrote negatively of the novel regarded it as excessively frightening. Comparisons to other works of Gothic fiction were common, including its structural similarity to Wilkie Collins' The Woman in White (1859). In the past century, Dracula has been situated as a piece of Gothic fiction. Modern scholars explore the novel within its historical context—the Victorian era—and discuss its depiction of gender roles, sexuality, and race.
Dracula is one of the most famous pieces of English literature. Many of the book's characters have entered popular culture as archetypal versions of their characters; for example, Count Dracula as the quintessential vampire, and Abraham Van Helsing as an iconic vampire hunter. The novel, which is in the public domain, has been adapted for film over 30 times, and its characters have made numerous appearances in virtually all media.
Sea cual sea la lectura (estructuralista, metaliteraria, histórica, social, psicológica, religiosa, etc), el texto da material abundante. Incluso hay fragmentos que funcionan de manera unitaria.
I kind of had a love/like/WTF relationship with this book. It's so darn clever and yet ridiculous at the same time. The characters are exaggerations and silly. And the dialogue, Gah!
On top of that, the "rules" for this whole vampirism thing make no sense at all, and there are no explanations for how they figured out those rules. The good doctor just knows from some dude who told him and assumed it all to be true, no matter how far fetched.
But still, Dracula is an enjoyable romp that explores some interesting themes that I'm unsure the author knew were even there.
This Everyman Library edition (they are always the best editions) includes an introduction by Joan Acocella who concludes with "Dracula is like the work of other nineteenth-century writers. You can complain that their novels are loose, baggy monsters, that their poems are crazy and unfinished. Still, you …
I kind of had a love/like/WTF relationship with this book. It's so darn clever and yet ridiculous at the same time. The characters are exaggerations and silly. And the dialogue, Gah!
On top of that, the "rules" for this whole vampirism thing make no sense at all, and there are no explanations for how they figured out those rules. The good doctor just knows from some dude who told him and assumed it all to be true, no matter how far fetched.
But still, Dracula is an enjoyable romp that explores some interesting themes that I'm unsure the author knew were even there.
This Everyman Library edition (they are always the best editions) includes an introduction by Joan Acocella who concludes with "Dracula is like the work of other nineteenth-century writers. You can complain that their novels are loose, baggy monsters, that their poems are crazy and unfinished. Still, you gasp at what they're saying: the truth." I think I can agree with that.
Uno dei libri più importanti per la creazione del vampiro come lo conosciamo noi, con tutte le leggende, le credenze e i personaggi iconici ormai di dominio pubblico.
Il pregio più grande per me è la qualità della narrazione, che riesce a costruire immagini molto forti che ti si tracciano in testa mentre leggi; sono queste il lascito più prezioso che mi rimane di questo libro.